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Contemplative landscape and contemplative space are familiar terms in the areas of design, landscape architecture and architecture. Krinke and her highly regarded contributors set out to explore definitions, theories, and case studies of contemplative landscapes. The contributors, Marc Treib, John Beardsley, Michael Singer, Lance Neckar, Heinrich Hermann and Rebecca Krinke have spent their careers researching, critiquing, and making landscapes. Here they investigate the role of contemplative space in a post-modern world and examine the impact of nature and culture on the design or interpretation of contemplative landscapes.
The essays, drawn from both scholarship and personal experience explore the links between spaces designed to provide health benefits and contemplative space.
- Sales Rank: #4552862 in Books
- Published on: 2005-10-21
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.00" w x .50" l, .98 pounds
- Binding: Paperback
- 232 pages
Review
'An invaluable collection ... [the] essays are invaluable tools for our entire profession engaged in designing any landscape.' - Dennis Winters, ASLA
About the Author
DEPARTMENT OF LANDSCAPE ARCHITECTURE, UNIVERSITY OF MINNESOTA, USA
Most helpful customer reviews
5 of 5 people found the following review helpful.
Strategies for Connecting Thought to Place
By Randall Imai
In the world of environmental design, to believe that the qualities of space can influence the process of thought is pretty heady stuff. Yet, at some base level, it is what brings most designers to the field. Do we make a difference? Will our efforts allow people to FEEL?
Like a gift, Krinke's book, arising from the symposium at the College of Architecture and Landscape Architecture at the University of Minnesota, presents to today's designer the issues at the intersection of space and culture. "Contemporary" of the title refers less to a style of design than to where we find ourselves today and how we, the audience of the information age, respond to the vast and subtle cues of Landscape.
The scripted environment is becoming ubiquitous. Its goals range from better traffic flow to the altar of development: Better Sales. That we become cynical by the offerings of designers is not surprising. But in an about-face from the trend of synthesis--of mixed-use, the contemplative environment offers isolation. Like the black and white photos of this book, it offers a reduction of message. It offers engagement.
Like the landscape profession, indeed, like landscape itself, the messages delivered in this book are quiet and assured. We are trusted by the writers to acknowledge the complexities of the systems within even though the familiarity of individual concepts might wrongly suggest that we already understand. Writing on design need not be confrontational nor exhortative.
We can be grateful to the contributors of this book for daring to take on the task of defining contemplation, examining paths, and presenting by example the experiments into the quest.
5 of 5 people found the following review helpful.
A triptik to "Contemporary Landscapes of Contemplation"
By K. Krause
-~- Mark Treib contemplates English Garden makers of the early eighteenth century, Shaker architecture, Saiho-ji, De Maria's "Lightning Field", and Easter inflatables on suburban lawns
-~- Heinrich Hermann tours the Salk Institute and Woodland Cemetery
-~- Lance Neckar relates German linguistics to the country's contemporary memorials
-~- John Beardsley sheds light on Luis Barragan, De Maria, the ancient Chinese character Ma and the Spoleto Festival
-~- Rebecca Krinke interviews Michael Singer, and discusses contemplative design of the Blodel's Reflection Garden and the National Library of France
By selecting a broad range of academic perspectives on landscape, Krinke's book benefits from a constantly refreshed voice. For example, her own examinations personally feel and measure the sensations of contemplation and speak to the very human curiosity of space designed for the mind and body. Meanwhile, Neckar introduces recent German memorials within the framework of the country's evolving vocabulary of remembrance: an illuminating cultural looking glass. This variety of voices, photos, and a rare look at Michael Singer's constructed ruin-like interiors are worth the price of admission, and a must for libraries of contemporary landscape literature.
1 of 1 people found the following review helpful.
An invaluable collection
By Dennis Alan Winters
Contemporary Landscapes of Contemplation is an invaluable collection of five essays and one interview, a result of the eponymous symposium organized in 2002 by Rebecca Krinke at the University of Minnesota, where she is Associate Professor of Landscape Architecture. Along with contributors John Beardsley, Heinrich Hermann, Lance Neckar, Michael Singer and Marc Treib, they have produced a rich series of thoughtful, expressive work, challenging this reviewer’s deeply held theories and research, for which I am grateful.
The authors negotiate the nature of the contemplative experience and investigate characteristics of the contemporary landscape having the ability to stimulate and reinforce the depth of focus and inquiry revealed during periods of contemplation.
What is the contemplative experience? ‘Zoning-out,’ mindfulness meditation, visualizing celestial beings, making and experiencing art, reflection on remembrance and reconciliation, all cited in these pages?
The literal meaning of meditation is ‘to familiarize’, as explained by His Holiness the Dalai Lama, and refers to a “rigorous, focused and disciplined use of introspection and mindfulness to probe deeply into the nature of a chosen object.” A first-person subjective experience leading one to know the full contents of the mind. In this light, are the authors’ varied interpretations of the contemplative experience not out of line? (Perhaps out-of-body).
This is most clearly suggested by the engaging article, “Map of Memory,” an interview with Michael Singer. He speaks about “leaving the environment where all the issues of the contemporary art world were happening and go somewhere where it didn’t really matter.” What mattered were the operations of nature: cause and effect; balance and harmony; structure, process and time – and using the “ritual and process of my work to learn about places, to guide my understanding of what a human being might do in natural places,” always questioning his fundamental assumptions.
Heinrich Hermann’s article, “On the Transcendent,” takes the academic plunge, stepping “outside typical frames of reference of time, space and self,” drawing distinct parallels between contemplative traditions provoked by “spiritually charged spaces.” Referring to Le Corbusier’s Convent of La Tourette as the “created sanctuary,” Louis Kahn’s Salk Institute as the “natural/created sanctuary” and Stockholm Woodlands Cemetery by Asplund and Lewerentz as the “naturalistic sanctuary,” Hermann offers three paradigms of the landscape that enable viewing of one’s place in the world and the cosmos. He draws relationships among mundane and transcendent experiences of self and the design of landscape space as a physical expression of the experience through strategies and devices triggering memory, reflection and contemplation.
Contemporary Landscapes of Contemplation, published as a six by nine inch paperback edition, fits handily into a backpack, and is well worth carrying to concealed seclusion, to focus on profound questions posed – in silence.
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